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I wrote this poem after ‘War’s Whores’ by English poet Hollie McNish, which is about sex workers during World War One.

Tré Ventour-Griffiths
3 min readMar 30, 2020

The majority of the general public

don’t have the privilege of access to a diagnosis,

fighting for their lives

in the Corona Wars

celebrities are tested

the public, told to sit tight.

Coronavirus counts

more than 700,000 cases

Test positive for the politician

Question marks for Joe and Jane Bloggs

is it more than systems and victims?

for some, minds are

being lost in isolation

no privacy to reflect or contemplate

but millions of corona-positive

individuals sit scratching their heads

awaiting their fates

and despite what Boris states

about washing hands with soap

there is more at play

than cells and microscopes

Photo by Ashkan Forouzani on Unsplash

China built hospitals

Corona pop-ups in a matter of days

but for too long the UK argued

like children at play

and the USA still stands in abstinence —

unlike the collectivism of Asian countries

we in the West have reacted really badly

across the souls of individualist Britain

an invisible killer in hay fever season

Britain turned its back.

now a plague teases Old Union Jack

to force a squeeze on healthcare’s arms

the NHS buckles under nurse-soft palms

for an invisible killer to choke

the life of our angels in blue

stuff lungs so tight they forget —

to breathe; to gasp; to exhale; air

to run on lanes as soft as Coronavirus

a disease born from blindness

closed eyes running towards the light

just wanting the pain to leave each night

bat’s eyes wide-eyed shut stitched in guilt

as children that dreamed of adulthood

left to die wrapped in Mothers’ quilt

supermarket run rages rampant

like a major battle

what passing bells for those who die as cattle

only the monstrous anger of the guns

as queues for food meet 300 tums a pop

and prescription drugs, pasta and toilet paper

evaporates into the atmosphere like water vapour

as virus sinks freelancers and artists

corporations swoop in on the carcass

feasting on death down a side street

is this how we want to write our history

for corporations like Wetherspoons

they’d sooner not pay their workers

no acknowledgment, no thanks

as corporations finish their left-hand wank

moneymen go up and down, day and night

as employees lose their jobs and lives

and Richard Branson sings them a lullaby

Photo by Arthur Osipyan on Unsplash

but as society compares the Tories

to Winston and his War Cabinet

these paintings of nostalgia,

I imagine war fatigue

and how we glamorise our history

we teach the youth of today

that inequality’s wrong, but we play

the tune of the oppressor’s song

forging narratives written

in profit over people,

praising policies that kill

murderers measuring lives with graphs

and statistics stood like cenotaphs

But god forbid!

we ever condemn

oppression in Crisis COVID

how domestic violence

has surged since the lock-in

and Corona has brought

out society’s worst and best

from pedagogies of the oppressed

to the Tories starving the NHS

I wonder in this saga of #clapforourcarers

will we remember how many of us

found solace in our neighbours –

and for every clap for our NHS

that came from a Tory

remember you voted for 10 more years of austerity.

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Tré Ventour-Griffiths
Tré Ventour-Griffiths

Written by Tré Ventour-Griffiths

Award-Winning Educator | Creative | Public Historian-Sociologist | Speaks: Race, Neurodiversity, Film + TV, Black British History + more | #Autistic #Dyspraxic

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